Interview with Vincent Joseph Durocher | Canadian Historical Architectural Photographer of 12 Years

I never formally studied photography to get started. I did take some courses when I was heavily involved in a photo club, in Montreal, which helped me learn a few more technical concepts. I would say I am a self-learner (autodidact) by experimenting on my own, both at the beginning and presently. You have to keep yourself always open to new ideas and trying out new things.

No, I really don’t. But I remember that when I started, I was using a film camera, and that is very different because you cannot see the result until your film is developed. So you try to think carefully about your variables before you take a shot and it also forces you to imagine your shot ahead: what type of picture are you expecting? This experience helped me later on.

Presently, I use a Canon EOS R7, with a variety of lenses: 10-18mm, 75-300mm, 24-105 mm and a fixed 24 mm lens. My most versatile lens and most used these days, is my 24-105 mm professional lens. For film pictures, I use a Canon EOS 3000 N camera, with 24-105 mm and 75-300 mm lenses.

I would really like to publish a photographic documentation of the Montreal Architectural Heritage. For many years now, I have been documenting each of the neighbourhoods and I am hoping to get it published. I believe it is a real treasure that must be recorded before its possible disappearance.

After winning my first International Photography Prize, a colleague looked at my picture and complimented me on its unique characteristics. That’s when I felt that I had accomplished something really special.

When I see the work of other photographers, and read about how their work is brought out, it pushes me in return to always go further.

Detailed, researched, and contrasted.

Thank you! It is an enormous encouragement to continue in this direction, as it is a sign that I am doing a great job!

I chose this picture of a house façade, to represent Montreal’s Heritage, because of the richness of colours and the finely detailed woodworking, like a showcase of the long-lasting - and now disappeared - tradition of architectural design and woodworking artisan accomplishment which makes Montreal unique. I stand in awe, contemplating and reflecting on the complexity of both this conceptual design and its finely crafted realisation.

It has helped people around me see that I am a serious photographer and I am hoping that it will open doors for future collaborations.

The first one that comes to mind is Micheal Freeman; his books have really inspired me to be a better photographer. In my field of architectural photography, I can also think of Trent Park, and for light contrasts: Dave Hill.

One advice that has helped a lot is the following, attributed to Bill Brandt: "I do not take pictures of what I see, but of what my camera shows me."

I believe it is a mistake to "look" for nice pictures. If you are looking to find a nice composition idea, look into the lens of your camera, and "play" around until you are satisfied with the outcome.

I suggest buying a camera, and experimenting at first: with light, with distance, with different lenses and angles. See which pictures are appealing to you, but at the same time, do not get "closed up" in one type of picture. Always be open to new ideas and look at the work of other photographers to get inspired.

It is nothing but hard work: always trying to improve: analysing your pictures, and wanting to do better.

This is also the key to success: being always open to trying new things, and never being satisfied with your "style". You need to reflect constantly on your work and that of other photographers, to always re-invent yourself.