Interview With Helene McGuire from United States

I didn't. I taught myself. 46 Years of cultural accumulation all over the world and academic research skills started it, then reading, personal research, practice, trial and error, and finally workshops.

I remember the shot that made me think I could turn it into a job. One of my friend's husbands was an actor. He saw a shot I took of him and his son and he said, 'You have an eye, let's take some more.'

Currently, I work with a Canon 5D Mark IV. Eyeing Leica for Street Photo works at some point.

I love the idea of continuous education. The beauty of photography is that you never learn. There are always new techniques, new projects, new ideas, and more places and faces to capture. Love the job until the day you die!

I've had the chance to experience real moments during filming. Tears were shed during and after. The images that came out still tear me to this day. When the people in those pictures hug me and thank me for something beyond special, that's when I know I'm doing it right. I know I have a purpose. It's incredibly touching and rewarding to offer true emotions to others.

Deep emotions. True moments. Real people. I can't get enough.

Timeless, Genuine and Poetic.

Appreciation and validation, of course. Encouragement to keep working and creating. An award also means credentials as a professional. It's a step up. And it feels damn good!

"Achilles" is a combination of all the skills I'm proud of. Minimal setup, no makeup, no thrills, or frills. Quick shot, yet yields a poetic mood with boundless stories behind it. I have been taking what I call 'box portraits' for a while and I love the frame and simplicity that gently focuses on each of my subjects. I chose this one in my box portrait series because it encompasses all my favorite things, mood, textures, colors, pose, light, and story.

Fine Art Portrait is my brand and skill. Getting a certificate that validates just that means the world!

Annie Leibovitz, whom I had the honor to tell in person how much her work meant to my portrait work. Stanley Kubrick, in his early years as a photographer, inspired my Street Photo work. Felix Kunze taught me so much about soft lighting and was a fabulous teacher.

Less is more. Especially in editing. When I edit, I always go back and take everything down a notch.

Make sure you optimize every bit of a tool before you rush into upgrades because a good photo is NOT about the tool. It's first and foremost about how much you can hone your skills with what you have. It pushes you to look at the light and get creative.

It's priceless to learn from masters and others but trust your vision. There are no two stories in this area. As long as you love what you create, it's all worth it.

Every single day for as long as I live!

Thank you!