Throne of the Gods – The Summons Beneath No Trail

The Valley Of Dreams

In the remote folds of New Mexico’s Valley of Dreams, photographer Craig Bill captured a fleeting alignment of earth, sky, and myth in his piece Throne of the Gods. Awarded at the European Photography Awards, the image is not simply a spectacle, but as an invocation which presents itself as an encounter with a desert land that yields its secrets only under the duress of time, erosion, and patient attention.

The composition defies categorisation: towering hoodoos rendered spectral under violet hues, a double rainbow bending briefly across the scene, and textures carved over aeons revealing strata of vanished wetlands, now etched into the silence of stone.

The photograph emerges not from convenience or design, but from urgency and improvisation. As rain scattered across the parched land, lightning arced without pattern, and a sunrise rainbow climbed the sky, Bill scrambled to replace a dead battery, a delay that nearly cost him the moment. The resulting image is unflinching. As nature does not wait, he has to experience nature asserting dominance. It is indifferent to preparedness, responsive only to presence. Throne of the Gods is the result of that presence: a communion recorded under pressure, where precision met instinct, and where the sublime rose, unannounced, from solitude.

Has anyone ever stood before something ancient, not as an observer, but as a witness uninvited, uncertain, and completely awake?

The Valley of Dreams offers no paths. There are no signs, no guided access to formations named with reverence and unease. The Alien Throne and its surrounding features rise like fossilised memories, brittle and exacting. Bill's photograph does not embellish them, as he intends to document what most would never find: forms shaped by withdrawal, not invitation. The desert speaks in low tones and demands a high threshold for listening.

Throne of the Gods does not flatter the viewer. It does not decorate the wild. It frames a rare threshold when environment, chance, and alertness momentarily align. His masterpiece is less an image and more a ledger entry in nature’s unrepeatable account, securing Craig Bill a Platinum Award in the 2024 European Photography Awards.