Photography became a lifeline for Ayumi Kawakami in 2020, turning uncertainty into creative action. Her images shift perspective toward the insect world, reminding viewers that growth begins with trying, not perfection. By adopting the viewpoint of a small insect, she invites viewers into a world where playfulness and perseverance coexist.
In 2020, the coronavirus pandemic hit, and I thought I might not live for long. I wanted to leave proof that I was alive, so I started taking photographs in earnest.
The giant praying mantis is a hunter in a small world. I have become a small insect and am staring at the giant praying mantis from the side, laughing.
My application was fairly judged by people who knew nothing about me, which has given me confidence for the future.
A hunch that this is good.
Initially, I bought the camera because I wanted to take photos at Tokyo Disneyland, which I often visited.
Macro photography. I want to get as close as possible to my favorite insects.
AstrHori 18mm F8.0 Macro 2:1 Periscope Lens with Manual Focus.
I want them to feel like you've entered the world of insects, as if you were a small insect.
First of all, it was difficult to find the praying mantis, and then to photograph it without causing it any stress.
A forest with big trees.
A mountain photographer and all the living things around him.
Nothing will happen unless you try!
Take lots of photos of what you like. The skills will come later.
Like a little bit of spice.
I think AI and photography are completely different things because a photo is a moment and a memory. So there is no impact.
I want to take pictures of beautiful natural scenery and insects and animals I've never seen before.
Read the story Between Surface and Self: The Constructed Worlds of Pieter Clicteur here, a winner of the 2025 New York Photography Awards.