Yiyi Gao is a multidisciplinary artist and architectural designer whose cross-cultural background bridges art, architecture, and ecology. Drawn to design as a form of storytelling, she creates immersive spaces that connect people to one another and to the natural world.
I’m a multidisciplinary artist and architectural designer with a Bachelor of Fine Arts degree from the University of Michigan and a Master of Architecture degree from Columbia GSAPP.
Having lived and worked in New Zealand, China, and the United States, I bring a cross-cultural perspective that blends art, architecture, and ecology. Design drew me in because it lets me merge storytelling with spatial experience, creating environments that connect people to one another and to the natural world.
Experimentation is at the core of my practice. I’m always testing new materials, forms, and methods of representation. Earthward — a hospice and ceramic-therapy center in a historic pottery town — embodies this spirit. I explored how architecture can express the circle of life, from birth to death, through space and form.
The project integrates a sunken ceramics archive, a contemplative courtyard, and kiln-inspired structures to honor both the life cycle and the craft of clay. Its conceptual experimentation and material exploration give it a symbolic presence while remaining welcoming and functional.
For The Word for World Is Forest, I found inspiration in the aerial roots of rubber fig trees. Their layered, living structures suggested an architecture that could grow with its environment. I envisioned a speculative community where architecture behaves as a living organism—self-renewing and regenerative rather than extractive. This idea reflects my belief that design can coexist with natural ecosystems.
The greatest challenge in my award-winning work, Earthward, was balancing conceptual ambition with user needs. Earthward is a hospice and ceramic-therapy center in a historic pottery town.
I aimed for a design that felt both poetic and highly functional—serving end-of-life visitors, their families, and friends—without sacrificing the symbolic and spatial depth that defines the project.