Design & Inspiration

Just Vision & Talent: Belinda Krause’s Story

Just Vision & Talent: Belinda Krause’s Story

Belinda Krause

Belinda Krause is a self-taught photographer whose journey began with a film camera and flash bulbs at a young age, driven by curiosity and a desire to capture the beauty in everyday life. Rooted in resilience and shaped by humble beginnings, her work seeks to reveal not fantasy, but the quiet, unexpected purity of the real world.

The first camera I ever used was a film and some flash bulbs. It was at a family gathering, I was seven years old. After the temporary blindness wore off from the flash, I continued until the roll was full and we were out of bulbs.

We were quite poor, so buying more film was a rare treat. As photography popularity grew, cameras became increasingly common and easier to afford, at least for a Kodak or Polaroid camera. I didn’t know there were fancy cameras until I was ten. I saved my money from washing dishes in the school cafeteria to buy a Canon AE-1.

It was my sixteenth birthday. I had no formal training, just the manual and a lot of guesswork. Before my eighteenth birthday, the camera was broken beyond repair by one of my high school teachers. I was unable to replace it for years.

Sunset at San Biagio - what an incredible afternoon. I stood at the edge of the road, trying to not get hit by a car. I set up my tripod and waited for the beautiful light. After that shot, I knew what I needed to do as a photographer: wait for the light. This award was a great honour and a real boost to my mindset.

I believed in this photo from the moment I took it. I knew it was the best in my career, so far.

My mother needed a picture taken at a family event, and I volunteered. I didn’t like being on the front side of the camera.

My absolute favourite type of photography is macro photography. It has opened up the world of insects and plants to me. I know more about nature than I ever thought I would learn. I am much calmer around spiders now, thanks to the camera.

When I travel, I take one lens, the Canon 24-240. It covers just about everything I want to shoot. I have three Canon cameras, but I don’t travel with the R5. The Canon R5 stays safe at home. I purchased it for macro work. I use the Canon 7D Mark II for wildlife. The Canon EOS R is my go-to for landscapes.

I want people to look at my work and see a world they never imagined, not fantasy, just beautiful and pure.

The fast cars driving by and the quickly fading light. Stay safe, but capture the light.

My backyard is full of wild and unruly flowers that I’ve planted over the past 30 years. It’s a happy place, full of bees, butterflies and other creatures.

I didn’t have knowledge of other photographers while growing up. It was always just to do it better than the last photo you took. I was in my mid-thirties before I heard of Annie or Ansel.

Believe in your work. You are good enough. Keep going! Do what you love! Don’t get carried away with all the processing and AI. Keep it natural and timeless.

Know what your camera can do. Get it right in camera, and you don’t need post-processing. Take classes on photography, modelling, botany, entomology, or whatever you want to photograph.

I try to avoid it as much as possible. Get it right in the camera.

AI still needs a lot of improvement. As a photographer, I like to keep my photography natural and whole. As an artist, AI has some fun options. If you use AI with photography, own it.

I would love to be able to afford an underwater setup. I want to swim alongside a whale shark and take a thousand photos.

Winning Entry

San Biagio Sunset | 2025 London Photography Awards
San Biagio Sunset | 2025 London Photography Awards
VIEW ENTRY
Gallery Image

Read about the interview about Everything with Ryuta Suzuki from Insects & Architecture here.

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