RODRI Explores Identity and Vision in CINEMA AKIL 1446–2024

©CINEMA AKIL 1446–2024 belongs to ©RODRI MAGUCHI, my latest creation and part of a broader artistic body of work within the “Islamic Rock” style I have developed. Through this work, I explore a distinct and introspective interpretation of contemporary emotions in the Middle East.

I see images in my mind, and rock art takes shape—almost like painting. “MAGUCHI” means powerful in Russian. This award brings me great joy, as the work is deeply inspired by the visions I strive to capture and express through photography.

I usually create a series of images and spend time reflecting on them. From there, I select the one that best captures the essence and shared characteristics of the collection.

I am a musician and play the guitar. I am drawn to rock music, where the sound of the electric guitar feels like a powerful force that transforms the surrounding space into an entirely different realm. I wanted to capture this energy through photography, which led me to begin experimenting with images to see if I could bring that vision to life.

I focus on conceptual photography, particularly images that convey clear and direct messages. I am deeply drawn to rock-inspired visual expression through photography, especially works that emphasize warm tones such as reds and oranges. I am also inspired by the way shapes and textures from the Middle East emerge vividly through the lens.

I use a Nikon D7000. I adjust the ISO settings to achieve the texture and tonality I envision, and then I capture the image. My favorite feature is the ISO itself, as it allows me to shape the final look with precision.

I want viewers to feel as though they have entered a kind of Middle Age rock era in the Middle East—something akin to what Rococo represented for Western culture. I want the image to feel painterly, as though they are looking at a photograph that resembles a painting.

It is always about taking many photographs and selecting the one that best captures the intended result. I also pay close attention to timing—choosing days with strong sunlight and shooting when the light hits the subject directly, while avoiding cloud cover.

I draw strong inspiration from current events in the region. I am also deeply motivated by knowing that people are engaging with my work—especially when it brings smiles to their faces, particularly children.

I don’t have a specific influence in this regard; my work is shaped more by personal vision and experience.

Find the inspiration and motivation to curate your strongest images, shape a narrative around them, and present them with intention.

It is about stepping into a new world. Pick up your camera as you would a new guitar, ready to explore and create. Build a concept in your mind, then go out and bring it to life.

It does not play a major role. I always aim to capture the image in the moment, with a single click. I rely on my focus and instinct to see and seize the exact moment as it unfolds.

It plays a significant role. However, when you truly understand how to capture an image and strengthen it through your own vision and concept, the work ultimately becomes your own. The relationship between AI and the human mind is an important dynamic to consider.

I would like to photograph places such as Turkey, Spain, and other regions rich in Islamic heritage. One day, I also hope to visit Palestine to create work of deeper cultural and personal significance.