When Craft Becomes Conversation: Haoyu Sun’s Experiments in Cultural Expression

It’s a recognition that my work resonates beyond cultural boundaries and can communicate heritage through contemporary art. It also validates the risk of blending fashion and visual art.

It strengthened my position as a leader in curatorial and collaborative projects. Since the award, I’ve led over 20 exhibitions, including collaborations with artists from Europe, China, and Japan, and established partnerships for London Design Festival projects.

Experimentation is central. For example, I combined velvet flowers with filigree and natural gemstones in one wearable piece, testing movement, texture, and weight until it felt alive and expressive.

Old traditional festival costumes and antique jewelry often inspire unexpected textures and layering techniques in my pieces.

That design is not just aesthetics—it's storytelling. Each element carries meaning, especially when working with heritage techniques.

I always communicate my vision clearly and suggest adaptations that honor the craft while satisfying functional or commercial needs. Dialogue is key.

Managing delicate materials like filigree and velvet flowers for wearable pieces is tricky. I overcame it by prototyping multiple times and refining assembly techniques.

I step away from the studio, visit museums or nature, and immerse myself in other artists’ work. Often, ideas come from unexpected connections.

Respect for cultural heritage, attention to craft, and a belief that art can bridge communities and inspire dialogue.

Learn deeply about materials and history, stay curious, and don’t be afraid to experiment with combining tradition and modernity.

I would love to collaborate with Alexander McQueen to explore theatrical storytelling in wearable art, blending craft with performance.

People often ask about materials. I wish they asked: “What story does this piece tell?” Each work is meant to carry a narrative, not just decoration.